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Left to right: Bita Razavi, Corina L. Apostol, Kristina Norman. Photo by Dénes Farkas/CCA Estonia. Artistic team together with the commissioner Maria Arusoo. Photo by Denes Farkas/CCA Estonia. Emilie Saal in 1926 at her exhibition. Courtesy of the Los Angeles Times. Kristina Norman. Photo from the set of film trilogy Orchidelirium, 2022 (digital video with sound, total running time 35 min) Photography Erik Norkroos. Courtesy of the artist. Kristina Norman. Photo from the set of film trilogy Orchidelirium, 2022 (digital video with sound, total running time 35 min) Photography Erik Norkroos. Courtesy of the artist. Bita Razavi Kratt, 2022, kinetic sculpture. Photo: Anu Vahtra. Bita Razavi. Sketch for Wardian Cases, 2022 (conceptualized display cases for Orchidelirium An Appetite for Abundance) Courtesy of the artist. Emilie Rosalie Saal, Bamboo Orchid, 1995, [c. 1910s]. Offset lithograph. Courtesy of Corina L. Apostol. Emilie Saal and Andres Saal on their mansion veranda in Java, c 1910. Courtesy of the Estonian Literature Museum, Tartu. Emilie Saal on horseback on Java island, stereo photograph by Andres Saal, c. 1910-1920. Courtesy of the Estonian Literature Museum. Emilie Saal in collaboration with Andres Saal, Tropical fruit still-life, overpainted photograph, c. 1910-1920. Courtesy of the Estonian Literature Museum. Josias Cornelis Rappard, Tiger Fight on Java (c. 1883 - 1889), lithograph, courtesy of the Tropenmuseum Collection, Amsterdam. Museum and Sunken Gardens Exposition Park Los Angeles, Courtesy of the Western Publishing & Novelty Co. Andres Saal and servant on Rubber Plantation. Courtesy of Estonian Literature Museum. Gardener packing plants inside Wardian cases at the Buitenzorg Botanical Garden Kebun Raya Bogor, 1913. Courtesy of the Tropenmuseum Collection Amsterdam. Andres Saal home in Tori Rural Municipality, Estonia. Courtesy Estonian Literature Museum.